2017 – 2018
A concept for an innovative alphabet, a short video, a website for unlearning language, a festival and final publication
RUDE is a project that challenges conventional notions of language, identity, and cultural hierarchies. In a time when language is often seen as static and unchanging, RUDE confronts this perception. It celebrates the beauty of multilingual communication that often results in the creation of an almost new language. The project consists of a short film MУЛЬTITASK that encompasses an ‘unlearning’ primer (a language book), deconstruction exercises available on a dedicated webpage, and mixed alphabets that users can freely download for experimentation.
The experimental short film MУЛЬTITASK encapsulates the core idea of RUDE. It highlights how language influences our thinking, our communication, and our interaction with the environment. The audience is invited to experience the magic of breaking rules and dismantling traditions in language, typography, and identity, with a focus on overcoming stereotypes as well as geographical and cultural boundaries. The film has been showcased and given awards at multiple festivals.
RUDE has gained international attention from Germany to Mongolia. Supportedby “Freunde der HfG” and the typography festival TYPOMANIA, these exhibitions served as a platform for exchanges with international artists on the topic of language and identity. In its entirety, RUDE offers an in-depth reflection on the influences shaping our self-perception and culturalinterpretation, prompting a critical examination of established linguistic concepts and hierarchies.
Exhibited:
posters, Mongolian National Art Gallery, Ulaanbaatar, MN
Posters, Van Abbemuseum, Eindhoven, NL
MУЛЬTITASK, Gallery Irrgang, Berlin, DE
Posters, Agharti Gallery, Odessa, UA
MУЛЬTITASK, Esto Es Para Esto Filmfestival, Monterrey City, MX
MУЛЬTITASK, 3hd festival Berlin, GER
MУЛЬTITASK, Sprechsaal Gallery Berlin, GER
MУЛЬTITASK, The Palace International Film Festival at Bricks Project, Bristol, UK
2017 – 2018
A concept for an innovative alphabet, a short video, a website for unlearning language, a festival and final publication
RUDE is a project that challenges conventional notions of language, identity, and cultural hierarchies. In a time when language is often seen as static and unchanging, RUDE confronts this perception. It celebrates the beauty of multilingual communication that often results in the creation of an almost new language. The project consists of a short film MУЛЬTITASK that encompasses an ‘unlearning’ primer (a language book), deconstruction exercises available on a dedicated webpage, and mixed alphabets that users can freely download for experimentation.
The experimental short film MУЛЬTITASK encapsulates the core idea of RUDE. It highlights how language influences our thinking, our communication, and our interaction with the environment. The audience is invited to experience the magic of breaking rules and dismantling traditions in language, typography, and identity, with a focus on overcoming stereotypes as well as geographical and cultural boundaries. The film has been showcased and given awards at multiple festivals.
RUDE has gained international attention from Germany to Mongolia. Supportedby “Freunde der HfG” and the typography festival TYPOMANIA, these exhibitions served as a platform for exchanges with international artists on the topic of language and identity. In its entirety, RUDE offers an in-depth reflection on the influences shaping our self-perception and culturalinterpretation, prompting a critical examination of established linguistic concepts and hierarchies.
Exhibited:
posters, Mongolian National Art Gallery, Ulaanbaatar, MN
Posters, Van Abbemuseum, Eindhoven, NL
MУЛЬTITASK, Gallery Irrgang, Berlin, DE
Posters, Agharti Gallery, Odessa, UA
MУЛЬTITASK, Esto Es Para Esto Filmfestival, Monterrey City, MX
MУЛЬTITASK, 3hd festival Berlin, GER
MУЛЬTITASK, Sprechsaal Gallery Berlin, GER
MУЛЬTITASK, The Palace International Film Festival at Bricks Project, Bristol, UK
Ksti Hu
The Berlin-based artist and activist Ksti Hu, who grew up in the Arctic Komi region, operates at the intersection of digital art and sociocultural inquiry. Her multicultural roots and multilingual experiences deeply shape her engagement with language, identity, and culture. Her project, RUDE, acts as a subversive gesture, advocating for the "unlearning" of languages and challenging biases associated with immigration. Her latest works illuminate remnants of her Komi heritage and her bi-cultural identity, delving into colonialism in the post-Soviet sphere. Hu's artistic expression spans from typography to animation. Collaborations, like the one with Nadya Tolokonikova of Pussy Riot where they crafted the entire 3D "PUSSYVERCE" universe, are integral to her creative spectrum. Hu continuously probes and redefines the boundaries of cultural and linguistic identity. Her body of work offers a critical reflection on the fluidity and challenges of self-identification in a globalized world, representing a pro-found, personal re-engagement and revaluation of cultural intricacies.
Photography by Iryna Drahun
Styling by Ekaterina Samorukova
Ksti Hu
Photography by Iryna Drahun
Styling by Ekaterina Samorukova
The Berlin-based artist and activist Ksti Hu, who grew up in the Arctic Komi region, operates at the intersection of digital art and sociocultural inquiry. Her multicultural roots and multilingual experiences deeply shape her engagement with language, identity, and culture. Her project, RUDE, acts as a subversive gesture, advocating for the "unlearning" of languages and challenging biases associated with immigration. Her latest works illuminate remnants of her Komi heritage and her bi-cultural identity, delving into colonialism in the post-Soviet sphere. Hu's artistic expression spans from typography to animation. Collaborations, like the one with Nadya Tolokonikova of Pussy Riot where they crafted the entire 3D "PUSSYVERCE" universe, are integral to her creative spectrum. Hu continuously probes and redefines the boundaries of cultural and linguistic identity. Her body of work offers a critical reflection on the fluidity and challenges of self-identification in a globalized world, representing a pro-found, personal re-engagement and revaluation of cultural intricacies.
Interviews